She was becoming herself and daily casting aside that fictitious self which we assume like a garment

Download Pin WhatsApp Random
Who said it
Kate Chopin
Source
The Awakening (1899), Chapter 19
Topics
fiction quotes · literature · quotes from books · The Awakening

— The Awakening (1899), Chapter 19

About this quote

हिन्दी में

वह स्वयं बन रही थी, और उस बनावटी रूप को रोज़ थोड़ा-थोड़ा उतार फेंक रही थी, जिसे हम किसी वस्त्र की तरह पहन लेते हैं।

What it means

The sentence changes pronoun halfway through. It begins with Edna — she was becoming herself — and ends with we assume like a garment, which quietly moves the fictitious self from her problem to everybody’s, and makes what she is doing ordinary rather than scandalous.

It is usually quoted as a self-discovery slogan, as though a finished true self lay buried somewhere waiting to be uncovered. But the verb is becoming and the work is daily: manufacture and upkeep, not excavation. Nothing in the line promises the result will be likeable, or that the casting-aside ever stops being a chore.

What it teaches you

Take one specific presentation of yourself and ask who it was assembled for — the voice used with relatives, the opinions held back in the office, the interests edited off a form. The line’s real claim is that removing one is a repeated action rather than a single decision, and that it registers hardest on the people who were comfortable with the garment; that is the part the slogan version drops.

अर्थ और सीख

वाक्य बीच में सर्वनाम बदल देता है — शुरू होता है वह से और पहुँचता है हम पर, यानी बनावटी रूप सिर्फ़ एडना की समस्या नहीं, सबकी है। ध्यान दें कि क्रिया बनना है, खोजना नहीं, और काम रोज़ का है — यह एक बार का फ़ैसला नहीं, लगातार उतारने की प्रक्रिया है। सीख: देखिए कि आपका कौन-सा रूप किसके लिए पहना गया है, और यह भी कि उतारने की चुभन उन्हें होती है जो उस पहनावे के आदी थे।

Where it comes from

Edna Pontellier, in the summer at Grand Isle. The garment image is doing the work — the false self is described as something put on, which means it can be taken off, which is what the rest of the novel tests.

The book was attacked on publication in 1899 and effectively ended Chopin’s career; it was rediscovered and made a classic in the 1960s.