I am a sick man…. I am a spiteful man.

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Who said it
Fyodor Dostoevsky
Source
Notes from the Underground (1864), Chapter 1
Topics
fiction quotes · literature · Notes from the Underground · quotes from books

— Notes from the Underground (1864), Chapter 1

About this quote

हिन्दी में

मैं एक बीमार आदमी हूँ…. मैं एक द्वेषी आदमी हूँ।

What it means

Two declarations, no name, no age, no circumstance, and nothing joining them. He does not say he is spiteful because he is sick, and the reader who silently supplies that word is doing work the sentence refuses to do. Both are offered as standing facts about what he is, not as reports of how he feels or what he has done.

The second one is the strange part. Illness invites sympathy; spite refuses it, and he volunteers it in the same breath and the same flat grammar, with no apology attached. The Russian adjective sits somewhere between angry, mean and wicked, and translators have chosen differently — what survives every choice is a man telling you the worst thing about himself first and not asking you to be kind about it.

What it teaches you

Watch the grammar he uses on himself: not I did something spiteful but I am a spiteful man — a description that converts behaviour into category and so puts it beyond question or repair. In ordinary speech it is the same move as I’m just a jealous person or I’m bad with people, and the rest of the book is a demonstration of what it costs to live inside that sentence.

अर्थ और सीख

किताब की पहली पंक्ति में नायक अपना नाम नहीं बताता, सिर्फ़ दो बातें कहता है — कि वह बीमार है और कि वह द्वेषी है — और दोनों के बीच कोई इसलिए नहीं रखता। बीमारी सहानुभूति माँगती है, द्वेष उसे ठुकरा देता है, और वह दोनों एक ही सपाट लहजे में, बिना किसी सफ़ाई के कहता है। ग़ौर करने की बात यह है कि वह अपने काम को नहीं, अपने होने को बुरा बताता है — मैंने बुरा किया नहीं, मैं बुरा हूँ — और यही वाक्य उसे बदलाव की गुंजाइश से बाहर कर देता है।

Where it comes from

The first words of the book, in Constance Garnett’s translation. The narrator introduces himself with two facts and no name, then spends a hundred pages taking both of them back and putting them again.

The four dots are in the text. Dostoevsky is writing a voice that interrupts itself, and the punctuation is part of the characterisation.